35mm-Wide FOV for Shooting Wide Angle
The 35mm anamorphic is equivalent to the horizontal field of view of a FF 22mm, allowing more elements to be included into the frame, therefore suitable for shooting architectures, landscapes, and tight spaces.
Complete Focal Lengths
Four commonly used focal lengths are included in the versatile lens set for shooting complete projects from different angles of view.
Offer a wider field of view, ideal for indoors and Landscapes.
Full-Frame! High Squeeze!
The FF anamorphic lineup sees 1.6x more on the horizontal with prominent anamorphic characteristics, especially suitable for high-end productions.
Two Aspect Ratios
• When Shooting 3:2, the lens offers a 2.4:1 aspect ratio.
• When using the lens on a 16:9 sensor, you end up with a much wider 2.8:1 aspect ratio, which gives you a lot of flexibility in post if you want to crop the footage to a 2.4:1.
As the 1.6x squeeze becomes increasingly popular, most monitors and cameras currently on the market have a 1.6x de-squeeze capability.
Cinematic Look
Hit the lens with a light source to create those cinematic blue lens flares. The 1.6x squeeze gives a little more stretch to the background and therefore, the bokeh gets taller and skinnier.
Uniform Barrel Construction
• T2.9 to T16 Aperture Range
• Identical Gear Position
• 82mm Filter Thread
• 1/4" Threaded Hole
• Metric & Imperial Scales
Compact Design
The lightest lens in the lineup weighs only 930g/2lbs, More compact and lightweight than similar products.
Mount Options
This lineup comes in RF, L, E, and Z-mount, working perfectly on professional cinema cameras and popular FF mirrorless cameras.
| Focal Length | 35mm |
|---|---|
| Largest Aperture | T2.9-T16 |
| Mount | Sony E |
| Weight | Approx. 34.25 oz (971g) |
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